1991 Meyer Sound Reinforcement Series Ad

Mever Sound Reinforcement Series


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MSL-10A
“I’ve been using the MSL-10A for the biggest venues
on our current tour. In terms of power, dynamics and
clanty, nothing else even comes close.
Chris Carton – Audio Engineer – Julio Iglesias
UPM-1
“I needed a speaker that was small and unobtrusive, yet produced the full musical range. I found what I was Jooking for in the UPM,
Paul Schuk – Owner-Caffe SOMA
UPA-1B
“For nine years Mever has been our standard. Because we use MieroMonitors and have no onstage volume, we rely totally on the PA for our live sound. The quality of the UPA-1, especially supported with SIM* Equalization, far exceeds that of all its competitors.
Tuck & Patti – Windham Hill Jazz recording artists
MSL-3
“We required a system that could reproduce the subtleties of a Broadway musical, yet reserve enough power for rock and roll. Our MSL-3/650 R2 system does exactly that”
Terry Smith – Technical Director – Opryland USA
SIM®
“Grand opera demands the ultimate in sonic realism.
SIM* Equalization is my most important tool for satisfying the needs of conductors, artists and opera lovers.”
Roger Gans, Sound Designer, San Francisco Opera